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Feint understanding, 2016
Ceramics, burl, basalt, white paint
![](https://static.wixstatic.com/media/c3b2cf_9ca0ea6d47f5477e8ec71ecd22e027b8~mv2_d_2362_1575_s_2.jpg/v1/fill/w_793,h_529,q_90/c3b2cf_9ca0ea6d47f5477e8ec71ecd22e027b8~mv2_d_2362_1575_s_2.jpg)
![](https://static.wixstatic.com/media/c3b2cf_2d46f8b964bd46dd967955980c2378d8~mv2_d_2362_1546_s_2.jpg/v1/fill/w_793,h_519,q_90/c3b2cf_2d46f8b964bd46dd967955980c2378d8~mv2_d_2362_1546_s_2.jpg)
![](https://static.wixstatic.com/media/c3b2cf_d717b576774748af96b39423d18e5033~mv2_d_2362_1575_s_2.jpg/v1/fill/w_793,h_529,q_90/c3b2cf_d717b576774748af96b39423d18e5033~mv2_d_2362_1575_s_2.jpg)
Tcb Art Inc, Melbourne
Last two images courtesy of Jacqui Shelton
Objects of personal worth are copied and displayed: a fake renaissance plinth with evidence of parasitic infestation, two basalt stones replicating those used to mark the edge of a squatter’s run on Wathaurong land; the same squatter whose stolen wealth built my family home, and a series of ceramic vessels that mimic the works of white Australian painter Adrian Feint.
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